Laura Serra Marin
supervisor
Analysis of Skills Acquisition in music performance through a Multi- Sensing approach
https://orcid.org/0000-0001-9807-6246
Bahareh Behzadaval
Innovating music learning using pedagogy-driven Augmented Reality to promote rhythm skill acquisition
https://orcid.org/0000-0002-9435-4373
Tina Reynaert
Member doctoral guidance committee
Pluriversally created music in participatory processes Operationalizing cultural and societal participation through intercultural participatory music practices
https://orcid.org/0000-0002-9035-1095
Benno Spieker
Interactive educational technology supporting joint music playing in general music education to children (4-12 years)
https://orcid.org/0000-0002-3210-4993
Aleksandra Michałko (2024)
Toward a Meaningful Music Education: Exploring Sources of Knowledge Transfer in Instrumental Training
https://orcid.org/0000-0003-2073-9286
Sandra Fortuna (2022)
The influence of body movement on musical sense-making in primary school children. A multimodal approach in music education
https://orcid.org/0000-0003-4496-8139
Photo: Wannes Cré Antwerp
Giusy Caruso (2018)
Mirroring the intentionality and gesture of a piano performance. An interpretation of 72 Etudes Karnatiques pour piano
https://orcid.org/0000-0002-0484-1814
Georgia Nicolaou
Moving towards resilience: Joint creation through music and movement for local, refugee and immigrant children.
https://orcid.org/0000-0002-4013-0219
Jo Stijnen
Differentiated instruction in instrumental improvisation
https://orcid.org/0000-0002-1613-8480
Filip Verneert (2024)
Throw them in the deep end.’ Towards a non-idiomatic form of improvisation in the light of a holistic design approach to learning
https://orcid.org/0000-0002-7685-0680